Tuesday, 27 May 2014

The Minor Ethics of Literature

"There is no more debatable problem in the minor ethics of Literature than the relations between what is called the professional or political diarist and the world of his actual or potential readers".
Herbert Asquith
Memories and Reflections

The "minor" is very good.  I shall henceforth be voting Liberal.

Monday, 26 May 2014

KIT LINE, SCULPTOR

Here are some images of work by British sculptor Kit Line.

Boxer and Whale
Steel, enamel paint
30 cm high
Apache Horse
bicycle parts, aluminium and steel, cellulose paint
90cm  x 60 cm

Wall of Death Whirlwind
Steel, enamel paint
30 cm high



Tuesday, 20 May 2014

Poetry Reading

This is the forward puff for a reading next month.  I seem to have achieved more than I thought I had!  It would be nice to be able to claim I've written a book about Orson Welles - alas! only a longish piece on his abilities as a magician for Genii magazine. As for film producer - I think it was Alexander Korda who said "Everybody I meet has two professions - his own and film producer".

All others on the bill are the genuine article, and it's rather a privilege to be among them...

Saturday June 7
Enfield Poets Present:
The Launch of the Summer Edition
of Acumen Magazine
Featuring: William Oxley, Wynn Wheldon,
Judy Benson and Dinah Livingstone.
+ Open Mic
The Dugdale Centre, Enfield Town, 7.30pm

This is something new for us and is bound to be a great evening. Acumen is a very successful, long-running magazine, and its launches are always very exciting occasions. For this event, Enfield Poets, courtesy of Acumen, bring you not just one, but four great poets. So, if you want to be the first to hear what’s going to appear in the next edition of the magazine, or would like the chance to strut your stuff in the open mic section of the evening in front of an editor who was recently awarded an MBE for services to poetry, then make sure you arrive early. Early birds will also be able to relax in the theatre’s leather seated coffee lounge and ice-cream parlour, while browsing the latest additions to its lovely exhibition space (See below for full details).

The event starts at 7.30pm. Tickets are £3.50/2.50 conc. The Dugdale Centre is five minutes walk from Enfield Town train station and ten minutes walk from Enfield Chase train station. 

Patricia Oxley
Patricia has single-handedly run the literary journal, Acumen, for over twenty years, during which time it has showcased the work of many well known poets such as John Burnside, Andrew Motion, U.A.Fanthorpe, and R.S.Thomas, as well as providing space for the emergence of new talent. Peter Porter described Acumen as “a beacon of invention in the West…printing the best, and not necessarily the most celebrated, is its policy”, while Brian Patten praised its “clarity of vision and generosity of spirit”, saying “it is that rare beast, a genuinely successful and inclusive poetry magazine”. Patricia also runs the much-loved Torbay Poetry Festival, while organising a host of other poetry events in both Devon and London. She is a very well respected figure on the poetry scene, and was awarded the MBE for services to poetry in 2012.

William Oxley
The London launch of William’s ‘Collected and New Poems’ occurred just a few weeks ago at Kings College. So, for the second time in as many sessions, Enfield Poets will be among the first to hear work from a hot-off-the-press publication. This volume brings together poems from the twenty or more volumes of William Oxley’s very distinguished poetry career. Early on in that career, William was identified by luminaries of the poetry world such as Robert Graves and Kathleen Raine as a special talent, and the wonderful work he has produced since then has borne out their faith in him. His poems have been widely published throughout the world, in magazines and journals as diverse as The New York TimesThe Scotsman, New Statesman, The London Magazine, Stand, The Independent, The Spectatorand The Observer. He has also published several works of philosophy, as well as essays on poetry and even pieces for the stage. A former member of the General Council of the Poetry Society and consultant editor of Acumen, William was also Millennium Year poet-in-residence for Torbay in Devon. In 2008, he received the Torbay Arts Award for Literature.

Judy Benson
Judy is the author of several very well received volumes of poetry and has edited a number of anthologies, including Klaonica – Poems for Bosnia, which she produced with her husband, the late Ken Smith. Reviewing her 2000 Rockingham collection, Call It Blue, the poet laureate, Carol Ann Duffy said that ‘the relish with which the poems are made – the voice always clear in the ear – reveal a warm confiding humanity which will gain her many new readers”. Several of her poems have been featured on Radio 3 and 4, and ‘Burying the Ancestors was shortlisted for the Forward Prize.

Wynn Wheldon
As well as being a poet, the multi-talented Wynn Wheldon is a journalist, playwright, film producer, and photographer. His play, Secrets of Cherry on the Run was produced at the Riverside Studios, and his non-fiction works include a book on Orson Welles, and a study of the arts in the United States. He also a reviewer for the spectator magazine, and produces a very entertaining blog (www.wynnwheldon.com). His pamphlet, Tiny Disturbances, was published by Acumen in 2012.

Dinah Livingstone
Dinah is also a person of many talents. Along with her nine pamphlets and eight books of poetry, she has written extensively on theology and a range of other subjects. She is also a translator from Spanish, French, German, and Italian, with a special interest in Latin American writing. Her 2012 volume, Time on EarthSelected and New Poems, was much praised. Ambitmagazine talked of her “passion, intellectuality and lightly worn erudition” while Poetry London described her as “a true poet”. Her most recent collection, Poems of Hampstead Heath and Regent’s Park appeared in 2012.

Monday, 19 May 2014

ACUMEN 79


The magnificent Acumen, edited by the equally magnificent Patricia Oxley.  New Issue out now, with my 'Pandora' included. Proud to be rubbing shoulders with Dannie Abse, Martyn Crucefix, Katherine Gallagher and Sheenagh Pugh, among many others.

@acumenpoetry

Sunday, 18 May 2014

ON THE WAY TO THE DEPOT by P.J. Kavanagh

It’s a pleasant night.  So tonight I’ll talk on the way
Of the images I seem to think in every day
Five strange years after:
Of how my life appears to me.
I don’t speak of it, the thing itself, not that.
But of how I seem to see our lives in the light of it.
It’s as though you live in big rooms filled with laughing;
I see little tables, and shining black pianos,
And you very busy. And me outside in the street
(Don’t laugh) sweeping it.
The place I suppose is my idea of heaven.
I haven’t described it (who could?)
But I’ve put in some writing desks and black pianos
Because that’s, if I’m honest, the best my poor brain can rise to
Without inventing.  Spirits, like flames, that meet
Melting into each other – yes, that makes sense to me often
But not (and you know this) every day.

Anyway, here I am
Out on the pavement.  And every night
I wheel my day’s collection to the depot
Where it’s assessed. But
(And here’s the odd part)
I don’t know who does the assessing
Or what it’s best to bring.  One just leaves it all there
And goes to bed; every day.
The streets and dreams and faces that I’ve seen now
Without you.  Or with you?

It’s late.
Time to turn in my collection.
Heaven knows how I’m doing!
When I sleep
Visit me then, reassure me.  Don’t share my puzzle.
And let me hear you laugh at my dustman’s hat…


 P.J. Kavanagh
from On the Way to the Depot (1967)
and New Selected Poems (Carcanet, 2014)


Posted i.m. Mum (20/5/1924 - 20/6/1993)  & Dad (7/5/1916 - 14/3/1986), 
who melted into each other more than twenty years ago.

Toy Town Telly & Stone Age Filming

by Forbes Taylor

As an introduction to the early days of commercial TV in Britain you'd be hard-pressed to find a more jaunty, detailed, revealing, enjoyable text than this.  Hailed as "a genius" by the Sunday Express, after directing his first movie at 21 (move over, Orson), he worked for Korda, filmed action sequences for Richard Greene's Robin Hood ("Dennis Moore, Dennis Moore, Dum, dum, dum the night"), pioneered archaeology programmes on TV, and was among the first British producers to experiment with US-UK co-productions.  But, as he writes, "high fame and fortune eluded me".  Luckily his very good humour never deserted him, and this book is full of anecdote and pithy opinion: The Red Shoes - according to Martin Scorsese one of the ten best movies ever made - is "a travesty... Mills & Boon... [full of] ham-acting".  Forbes told me himself that Powell - Hitchcock too - "had no idea how to direct people".

Forbes was Head of Documentaries at Anglia TV; if you're interested in early TV read this memoir.  He has also written a novel, A Lover's Guide to Armageddon. about the assassination of Archduke Ferdinand at Sarajevo.  Very de nos jours, and suggestive of a delicious conspiracy theory (Forbes is very partial to a conspiracy theory).